Sunday, November 24, 2019
The eNotes Blog Jack Kerouac American Literary Baddie to theStars
Jack Kerouac American Literary Baddie to theStars    Today were going to talk about an American legend: Jack Kerouac. Jack was a pretty amazing writer, not just in the work he created but also in his methodology for doing so. Like so many of us, he was not a big fan of the revision and re-write process. He was alsoà  invested in the New York Jazz scene, and at the time that was about as cool as having backstage passes to a Justin Bieber concert, amirite? (I dont actually know what the cool kids listen toI still like jazz.)  Read on to learn a bit about this literary icon, his books, and what makes him continue to be a big name on the list of American writers.    [OVERVIEW] Why is Jack Kerouac Still a Big Deal?  Jack Kerouac was one of the founding members of the Beat Generation of American literature. In fact,à  Jack Kerouac was the acknowledged leader and spokesman for the Beat Generation. Itsà  underlying philosophy could loosely be described asà  visionary enlightenment, Zen Buddhism, and Amerindian culture. The Beat Generationà  as a whole adoptedà  these ideals and served to influence American culture in the postââ¬âWorld Warà  II era.  Jack Kerouac Did a Great Job with Vernacular  Part of Kerouacs aesthetic was his love of jazz and how freely the music seemed to come to the musicians- they didnt worry about whetherà  it would make sense.à  Kerouac eventually developed the writing style (that still exists today, though its not often taught) known as spontaneous prose. Kerouac would observe and take notesà  on a subject for months orà  years at a time, and then putà  all of these thoughts down on paper at once; after years on the road with friend Neal Cassady, Kerouac eventually settled down to writeà  On the Road in a period of about three weeks.  He Was aà  Master at Reflectingà  His Point in Time    The Beat Generation was extremely reflective of the Postââ¬âWorld War IIà  era. At this time, there was a huge exploration into alternative ways of lifeà  (basically, a mini 60s-à  andà  70s-style revolution). Kerouacs work reflectedà  these views- his tone and subjects often conveyedà  attitudes of excitementà  that wereà  demonstrated in colloquial ways.  He Hadà  Some Good Views on Freedom  Kerouacs views on freedom may haveà  come from his difficult childhood and the number of doors that slammed in his face (the football team and the Marines, for example). As a result, heà  rebelled. Kerouac and his character inà  On the Road made their way by doing the exact opposite of what society told them to do- and the results are entertaining and a bit inspirational.  In On the Road, Kerouac echoes ideas of American freedom andà  theà  boundless energy the country was experiencing in the aftermath of World War II.à   Sal and Dean jump into the car and driveand driveand drive. There is little in terms of an exact destination because freedom and individuality are depicted as journeys in their own right, without a need for a defined end.  He Was a Buddhist  The Westsà  interest in Eastern religions has been around for, well, a long time. But Eastern religions werentà  commonly seen in practice until the later decades of the 20th century. Its arguable that it was the Beat Movement that led to this alternative view of religion. In hisà  bookà  Theà  Dharma Bums,à  Kerouac writes about the spiritual experiences ofà  the character Ray andà  his friends. The bookà  focuses in particular on the characters contact withà  Buddhism.    He Wasnt into Censorship  Free speech has obviously been a thing in the United States since the whole drafting of the Constitution thing went down. We all know that there are some things that simplyà  arent always appropriate for a wide audience (like if I suddenly started talking about how Kim K. got famous- not appropriate here). Well, back in the 50s, this idea of inappropriateness was even more widespread, and that didnt really jive with Kerouacs wild experiences on the road.  Kerouac also saw revisions on ones work as a form of literary lying and all but refused to do it. With all that in mind, it makes sense that the original version ofà  On the Roadà  that he attempted to publish was full of sex, drugs, and rock n roll, and no one knows if Kerouac folded on his principles and edited the novel or if his editor went ahead and did it for him. Were thinking the latter, though.  P.S. He Was Kind of a Total Babe    
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